“故听其雅颂之声,志意得广焉;执其干戚,习其俯仰诎伸,容貌得庄焉;行其缀兆,要其节奏,行列得正焉,进退得齐焉。”(《礼记·乐记》)“音乐的音调结构,与人类的情感形式——增强与减弱,流动与休止,冲突与解决,以及加速、抑制、极度兴奋、平缓而微妙的激发、梦的消失等等形式——在逻辑上有着惊人的一致。这种一致恐怕不是单纯的喜悦与悲哀,而是与二者或其中一者在深刻程度上,在生命感受到的一切事物的强度、简洁和永恒流动中的一致。这是一种感觉的样式或逻辑 ”So listen to the sound of its Ya Chung, a wide range of ambitions; executive Qiqian, learn the pitch Yang stretch, looks Zhuang Yan; line its trillion trillion, its rhythm, the ranks of Yan Zheng, retreat Qi Yan . “(” Book of Rites Music “) ” The tone structure of music, and the human emotional form - enhance and weaken, flow and pause, conflict and solution, and acceleration, inhibition, extreme excitement, gentle and delicate Excitement, the disappearance of dreams, etc. - are logically surprisingly unanimous, and I am afraid that this agreement is not purely a joy or sadness, but rather a deep, in-depth understanding of everything that life feels The strength, simplicity, and eternal flow of the same. This is a feeling of style or logic