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在阿多诺一生的哲学运思中,对音乐的思考占有绝大部分比重,而且他一生的著作大半也是关于音乐的论述。这位“有如音乐般深邃和优美”的哲学家如此倾注于音乐,难道仅是一个外在的事实吗?不可否认,阿多诺从大学就兼修音乐,师从“维也纳大师”贝尔格学习作曲,一生浸润于音乐,对音乐有极高的理论修养。这固然会促使阿多诺更深入地把音乐带向哲学,但更重要的仍在于他在音乐中寻找到了哲学的表现形
In Adorno’s philosophical thoughts, most of the weight of music is accounted for, and most of his works are also about music. Is it only an extrinsic fact that the philosopher “is as profound and graceful as music?” It is undeniable that Adorno studied music at university from the master of Vienna, Berger learns to compose music, immersing himself in music for a lifetime, and has a very high theoretical training in music. This will certainly lead Adorno to bring music to philosophy more deeply, but more important still lies in finding the philosophical expression in music