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建筑是人类文明的产物,是一个时代高度的物质文明与精神文明的浓缩精华,它凝结着社会大众的聪明才智,是簇立在大地上的无字史书,承载着哲学、宗教、艺术、科技的烙印,它以无声的语言向全世界表述着民族的,地域的文化特征。时至当代,随着岁月的更迭,建筑的存在意义和人们对建筑的体验已远非昔日的标准与需求,他越来越受到人民大众的普遍关注与重视。好的符合时代规范的建筑形态,可以愉悦人的身心;背离时代背景,脱离大众需求的建筑形态,可以消磨人的心智,使人变得麻木。为了适应时代的需要,完善建筑设计理论导向,使设计师能够在设计中正确使用建筑构成符号,使建筑空间的内外建筑形态的表意功能得到充分地表达,本文引入全新的概念理论,以形态语义研究为基础,重新以新视点去理解建筑形态,剖析建筑元素,以期达到引导自身建筑设计和借鉴他人的现实意义。本文通过形态语义学与建筑学的交叉比较研究,运用符号、隐喻、象征等的具体表现手法,结合实例,有效地解决了对现代建筑设计认识视点的问题,明确指出了当代建筑设计的新方向。
Architecture is a product of human civilization. It is a highly concentrated essence of material civilization and spiritual civilization of the times. It condenses the ingenuity and wisdom of the general public and is a wordless historical book set on the earth bearing the philosophy, religion, art, science and technology It impresses the world with its national and regional cultural features in a silent language. From time to time, with the change of years, the significance of the existence of the building and the experience of the people in the building are far from the standards and needs of the past. He is getting more and more people’s universal attention and attention. A good architectural form that meets the requirements of the times can delight people’s mind and body. Deviating from the background of the times and from the architectural forms that the public demand, people’s minds can be consumed and people become numb. In order to meet the needs of the times and improve the guidance of architectural design theory, designers can correctly use the symbols of architectural symbols in the design so that the ideographic functions of interior and exterior architectural forms in architectural space can be fully expressed. This paper introduces a new concept theory, Research, based on the new perspective to re-understand the architectural form, analysis of architectural elements, with a view to guide their own building design and learn from the practical significance of others. Through the comparative study of morphological semantics and architecture, this paper effectively solve the problem of recognizing the point of view of modern architectural design by means of concrete expressions such as symbols, metaphors, symbols and so on, and clearly point out the new direction of contemporary architectural design .