在中国诗学史上 ,王夫之对诗坛“门庭”的批评最为严厉和著名。本文拟就船山批评诗坛“门庭”的几个主要观点略作分析 ,认为 ,船山反“门庭”论的诗学批评观既强烈有针对性 ,并表现出诗学理论卓识 ;但船山不加区分地否定文学史上的“门庭”,并将创作个性与文学流派、文学风格截然对立 ,因而出现了一些认识上的失误 In the history of Chinese poetics, Wang Fuzhi has the most severe and famous criticism of the poetic court. This paper attempts to analyze the main views of Chuanshan on the “courtroom” of the poetic circle, and concludes that the poetic criticism of Chuanshan’s “courtroom” theory is both highly targeted and poetic theory, but Chuanshan does not distinguish To negate the “court” in the history of literature, and the creative personality and literary schools, literary style diametrically opposed, and thus there have been some mistakes in understanding