吹奏笛箫和歌唱的用气,应该说其原理和技术方法基本上是一致的。采用之方法的优劣,对吹与唱技艺的发挥起着非常重要的作用。很长时期以来,由于吹与唱者技艺的高低及其艺术实践的体会之同,从理论上曾提出了多种多样的呼吸运动方法,并且各自都提出许多理由来说明自己主张之正确而科学。在《中国音乐》1992年第4期上刊登的张维良撰写的《吹奏笛、箫呼吸的理论及其实践》一文中,以多种论据阐述了运用胸腹式呼吸方法是最合理而科学的。例如该文中写道:“在这以后西方吹管乐器与声乐呼吸方法一样,先后出现过多种呼吸方法,最终还是确定胸腹式呼吸为最合理。如吉科夫所说:‘胸腹式呼吸就成了最合理的呼吸形式了,这不仅适合于一般正常的条件,同时也适合于管乐器吹奏的条 Playing flute and singing gas, it should be said that its principles and technical methods are basically the same. Advantages and disadvantages of the method used play a very important role in the play of blowing and singing. Since a long period of time, due to the difference between the skill of blowing and the singer and the experience of his artistic practice, a great variety of breathing exercises have been proposed in theory, and each has put forward many reasons to justify his claim to science . In his article “Theory of Playing Flute, Flute Breathing and Its Practice” published by Zhang Weiliang published in China Music No. 4, 1992, it is most reasonable and scientific to use plethora of breathing methods based on various arguments. For example, the article wrote: "After this, the western style of instrument for wind and vocal breathing, there have been a variety of breathing methods, the final determination of chest and abdomen breathing is the most reasonable as Ji Kefu said: ’chest and abdomen breathing It has become the most reasonable form of breathing, which is not only suitable for normal conditions, but also suitable for wind instruments playing