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雅乐和俗乐的争斗、融合从2000多年前延续至今,人们对雅、俗音乐的态度不断转变,促进了雅乐和俗乐的发展。本文以二胡音乐为例,探讨了二胡自传入中国到现在以来的发展变化,结合时代背景、大众审美需求,从中窥探了民族音乐的雅、俗分化与融合现象,由此得出民族音乐的发展应当避免庸俗化,同时不能完全囿于西方音乐的影响,脱离民族性。尤其是在创作方面,新作品的写作要在专业的基础上,应顾及大众,立足民族文化,适应时代发展,力求雅俗共赏,如此方能使民族音乐健康、积极发展,永葆活力、源远流长。
The battle between Allegro and popular music, from the continuation of more than 2,000 years ago, people’s attitudes toward elegant and vulgar music continue to change, which has promoted the development of elegant music and secular music. Taking the erhu music as an example, this essay explores the development and changes of erhu since it was introduced to China so far. Based on the background of the times and the aesthetic needs of the general public, this essay explores the phenomena of elegance and vulgar differentiation and fusion of national music. Development should be avoided vulgarization, at the same time can not be completely attributed to the influence of Western music, from the nationality. Especially in terms of creation, the writing of new works should, on a professional basis, take due consideration of the general public, base on the national culture, adapt to the development of the times, and strive for the refinement of the commonwealth and the common people. Only in this way can the national music be healthy, active, and vital, with a long history.