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书画史上,书僧画僧可谓多矣,著名者更是耳熟能详。如骨气深稳、体兼众妙的智永,高古超迈、显赫一代的怀素,高情峭拔、磅礴挥毫的贯休,烟岚气象、高旷之景的巨然,画学正脉、师法自然的渐江,自出机抒、造妙入神的髡残,点染数笔、脱尽窠臼的八大,搜尽奇峰、笔意纵恣的石涛,落笔冷隽、蹊径别开的虚谷,劲气内敛、和悦蕴藉的弘一,无一不是划时代、里程碑式的人物。
In the history of calligraphy and painting, monks and monks can be described as more men, the famous is more familiar. Such as deep-seated, the body and all the wonderful wisdom of the Wing, the ancient super-step Maison, the illustrious generation of supernumerary, high-profile Qiaoba, lone bald, Huayan weather, Teachers of natural Jiang gradually, from the machine to express, make a wonderful fictional disability, dyeing a few pens, to make every attempt to make the eight, search for Qi Qifeng, indulgence Shi Tao, pen cold Jun, the path to open the Valley, Hard restrained, Wyatt implication Hong Yi, both epoch-making, landmark figure.