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我对国展颇为关注,2014年度曾先后撰写过两篇相关的批评文章,分别为《‘85’思潮与主旋律的博弈——致全国美展的预备选手们》《负进步——全国美展落幕评》,两篇文章分别撰于展览征稿期与闭幕展后,时隔8个月,且都为“艺术国际网”置顶为网站头条。前文预测本届美展的评委们从年龄段落上经过“85”新潮的洗礼,在作品甄选和评奖上将突破“主旋律”创作的一统格局;后文通过对
I am quite concerned about the National Exhibition. In 2014, I wrote two related critical essays, namely “The Game of the ’85 ’Trend of Thought and the Main Melody - Preparatory Players to the National Art Exhibition” “Negative Progress - The National Art Exhibition ends Comment, ”two articles were drafted in the exhibition after the solicitation and closing exhibition, after a lapse of eight months, and all for the“ International Art Network ”set the site headlines. The forecasted jury members of this exhibition from the age of passage through the “85 ” trendy baptism, selection and awards in the works will break “main theme ” creation of a unified pattern; later by