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延安时期,是从土地革命战争向抗日战争转变的关键时期,其中心任务是:拯救国家,拯救民族,驱除外侮,恢复主权。中国共产党正是紧紧围绕这一压倒一切的首要任务制定党政方针政策,在对敌的艺术宣传工作中,作为当时重要宣传介质之一的宣传画,无论是艺术表现形式还是整体的创作风格,都能够侧面的体现出我党对敌的政治宣传策略。这些宣传画对分化瓦解敌军,壮大抗战力量,最终赢得战争胜利发挥了重要作用。本文以延安时期中国共产党抗日的政治宣传策略为引线,以艺术的角度探寻当时的宣传画在中国共产党对敌宣传上的运用主题及风格特点。
The Yanan period was a crucial period for the transformation from the Agrarian Revolutionary War to the Anti-Japanese War. Its central task was to save the country, save the nation, expel foreign aggression and restore sovereignty. It is exactly the primary task of the overwhelming CPC that formulates the guidelines and policies of the party and the government. In the art propaganda work against the enemy, the posters, as one of the major media of propaganda at the time, both in artistic expression and overall style of creation Can all reflect the political propaganda tactics of our party against the enemy side by side. These posters played an important role in breaking up enemy forces, expanding the power of the Anti-Japanese War, and finally winning the war. This article takes the anti-Japanese political propaganda tactics of the Communist Party of China during the Yanan period as a leading point and explores the theme and style characteristics of the propaganda posters in the propaganda of the Communist Party of China on the enemy from an artistic point of view.