全形拓,又称立体拓,是一种以墨拓作为主要手段,辅助以素描、剪纸等技术,将青铜器的立体形状复制表现在纸面上的特殊传拓技法。这一技术出现于清代嘉道年间,其历史发展大致可分为三期:滥觞期、发展期、鼎盛期。相传清道光间,阮文建公得三代彝器四种,海内金石名家争欲观瞻,文达烦于应付,摹拓刻木,拓赠各友。焦山寺僧六舟和尚感觉木刻有失原形,便与文达研究手拓全形。初 Full shape extension, also known as three-dimensional extension, is a kind of ink extension as the main means to assist in drawing, paper cutting and other technologies, the three-dimensional shape of the bronze copy on paper performance of special propagation techniques. This technology appeared in the Qing Dynasty Jiadao years, its historical development can be roughly divided into three phases: the beginning of abuse, development period, the heyday. According to legend, the Qing Daoguang, Nguyen Van Jian Gong three generations of Yi four, domestic Jinshi contends for desire, Wen Da nuisance cope, copying extension carved wood, extension of friends. Jiao Shan monk six monk boat sense of missing the original woodcut prototype, then with the full text of the study hand-extension shape. early