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在天成象,在地成形,变化见矣。顺应天时地利人和,以及材料、时节等各种不可更改的条件限制,发挥人的主观能动性,根据人的需要和一些事物的基本属性,而设计制造出为人们生活所用之物。所谓顺天造物就是遵循自然规律顺势而为创造出天地万物。这是一个由量变到质变再到飞跃的过程。根据天时地利人和的设计思想,结合自己个人主观能动性,创造出遗留至今的灿烂产物,这是先民们的智慧结晶也是造物史中造物思维的重要体现。作为实用性与艺术性相结合的统一体,陶瓷设计随社会生活的发展而发,随时代进步而进步。充分认识和深入理解陶瓷设计与社会生活的关系,对陶瓷设计的传承与创新具有积极的意义。
In the day image, in the shape, change see men. In conformity with the favorable conditions of time and place, as well as material, seasonal conditions and other immutable restrictions, we should give full play to the subjective initiative of people, and design and manufacture what we use for people’s lives according to their needs and the basic attributes of some things. The so-called heavenly creation is to follow the laws of nature and take the opportunity to create heaven and earth. This is a process from quantitative change to qualitative change to leap. According to the design ideas of favorable people and time, combined with our own personal initiative, we can create a splendid product left over to this day. This is the crystallization of the wisdom of our ancestors and an important manifestation of creative thinking in the history of creation. As a combination of practicality and artistic unity, ceramic design with the development of social life and made, with the progress of the times and progress. Fully understanding and in-depth understanding of the relationship between ceramic design and social life has a positive meaning to the inheritance and innovation of ceramic design.