时间:1994年9月7日下午 地点:北京大学燕南园林宅 龙:1934年底,您的第二本自由体诗集《春野与窗》刚刚出版并广受赞誉,您却转入了新格律诗的写作,这个转变在研究者看来是相当突兀的,这之中应有什么必然的缘由吧? 林:30年代以《现代》为代表的自由诗,可以说是继清末诗界革 Time: September 7, 1994 Afternoon Venue: Peking University Yannan Garden Domicile: At the end of 1934, your second free-form poetry collection, “Chun Ye and the Window,” has just been published and widely acclaimed, but you have transferred to the new metrical verse Writing, this change seems quite abrupt in the view of researchers, which of the necessary reasons should be? Lin: 1930s to “modern” as the representative of free poetry, it can be said that after the end of the Qing Dynasty poetic leather