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微电影作为近年来兴起并活跃于信息化时代下的中国文化领域的一个独特产物,正日益引发人们越来越多的关注和思考。微电影源于传统的视频音像作品创作而又明显不同于传统电影电视剧作品。微电影以其灵活多变、便于制作及即时消费的特点赢得了快速发展的机遇。将传统影视剧及广告的文学意象表达和传播模式的研究运用于微电影研究并不能完全合乎具体实际。而微电影作为一种信息化时代背景下迅猛发展变化的事物,有必要去探究和思考其存在的一系列意义和问题。希望通过比较浅显的分析研究来初步探索我国目前微电影中的文学意象。
As a unique product of Chinese culture, which has emerged in recent years and is active in the era of information age, micro-film is increasingly arousing more and more attention and thinking. Micro-film originated from the traditional video and audio-visual creations and obviously different from the traditional film and television drama works. Microfilm has enjoyed rapid growth with its flexibility, ease of production and instant consumption. The research on the application of the mode of literary expression and dissemination of traditional films, dramas and advertisements to the study of micro-film can not be completely realistic. As a kind of rapid development and change in the information era, it is necessary to explore and reflect on a series of meanings and problems of its existence. I hope through comparatively simple analysis and research to tentatively explore the literary images in our current micro-film.