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中国古代的贬谪文人往往通过对自然山水的亲近来消解内心的不安与痛苦,以找回在政治生活中失落的自己,探索心灵永恒的栖居地。当生命巨大的悲感折射到自然山水中时,他们的文学创作便不可避免地具有孤独的特质,柳宗元贬谪之后的山水诗文创作正体现了这一特点。
In ancient China, the literary degenerate bankers often resolved their inner anxiety and pain through their closeness to natural landscapes in order to recover their lost self in political life and explore the eternal dwelling place of their souls. When the great sadness of life reflects into the natural landscape, their literary creation will inevitably have the loneliness. The creation of landscape poetry after Liu Zongyuan relents reflects this feature.