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由中国画学会与中国美术馆共同主办的“中国画学会展”是中国画学会成立4年来的第一次亮相。其中许多作品都是画家们不同时期的精品力作,整体上代表了新世纪以来中国画创作与创新的学术现状。新世纪以来,中国画坛在经历了20世纪八九十年代的各种思潮洗礼以后,开始从激进躁动、思潮云涌中走出,逐渐向绘画语言为本位的自主发展方向回归。因时代性变革而起于中国画阵营的各种观念与手法、语言与精神的求索也从含糊不清、错综复杂
The “Chinese Painting Exhibition” co-sponsored by Chinese Painting Society and China National Art Museum is the first appearance of Chinese Painting Society in 4 years. Many of these works are excellent works of painters in different periods, representing the academic status quo of Chinese painting creation and innovation as a whole. Since the beginning of the new century, the Chinese painting society has witnessed various bouts of ideological trends in the 1980s and the 1990s. They began to emerge from the radical restlessness and trendy trends and gradually returned to the direction of independent development based on the painting language. Due to the changes of the times, all kinds of concepts and techniques that originated in the Chinese painting camp are searched from the vague and intricate