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中国画的表现形式多种多样,其中一种就是工笔人物画,其地位在中国的绘画史上举足轻重。自古以来,工笔人物画与中国画在技法和表现上都是一脉相承的,更难能可贵的是,在人们在对人物画的继承和发展中有所创新,各代都形成了自己具有代表性的特征和风格。由于受到西方素描、装饰绘画以及日本绘画的影响,工笔人物画在绘画技法上有所改变,一些现代元素无时无刻不在影响着工笔人物画,甚至平面设计艺术都是工笔人物画技法多样化形成的因素,在这些现代元素的影响下,工笔人物画的范式和技法都呈现出多元化的趋势。文本以工笔人物画的历史发展为线索,着重阐释当代工笔人物画表现技法的多样性。绘画归根结底是表现时代的一门艺术,工笔人物画在表现技法上的借鉴和创新,也是艺术家与时俱进、善于创新、吸纳精华为我所用的一种表现,只有紧跟时代步伐,才能创造出反映现实的真正的艺术品。
There are many manifestations of Chinese painting, one of which is the brushwork figure painting, whose position is of decisive importance in the history of Chinese painting. Since ancient times, the fine brushwork figure painting and Chinese painting have the same strain of technique and performance. What is even more commendable is that people have made innovations in the inheritance and development of figure painting. Each generation has formed its own representative characteristics and style. Due to the influence of western sketch, decorative painting and Japanese painting, the sketchbook figure painting has changed in the technique of painting. Some modern elements are influencing the sketchbook portrait painting all the time, and even the graphic design art are the factors of the diversification of the sketchbook figure painting technique Under the influence of these modern elements, the paradigm and technique of the brushwork figure shows a diversified trend. The text takes the historical development of the mythical figure painting as a clue, emphasizing the diversity of the contemporary performance techniques of the figure painting. In the final analysis, painting is an art that represents the times. It is also the artist’s experience in advancing with the times, being innovative, and absorbing the best for me. Only by keeping up with the pace of the times can we create A real artwork that reflects reality.