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在关中地区十六国时期的墓葬中,曾成组出土一类伎乐俑。其中,具有独特造型与装饰、演奏不同乐器的坐乐俑,对于判断十六国时期墓葬的时代可以起到一定的辅助作用。本文通过对这批坐乐俑伎乐组合形式的讨论,细化关中地区十六国墓葬的年代序列。以此为线索,本文进一步讨论其来源,指出坐乐俑与其相对而出的鼓吹仪仗乐俑是一套完整组合,它是在晋制墓葬发展的背景之下,十六国政权进行墓葬制度重建的一部分,也是在民族融合的背景下,胡族政权统治者重建法统秩序的一种反映。
In the Guanzhong area during the period of the sixteen countries tombs, Zeng group unearthed a genie figurines. Among them, the unique figurines and decorations that play with different musical instruments can play a supplementary role in judging the time of the tombs in the period of the Sixteen States. This article elaborates on the combination of these figures in the form of music and figurines, and elaborates the chronology of the tombs of the 16 countries in the Guanzhong area. Taking this as a clue, this article further discusses its origin, pointing out that the sitting figurines and their relatives are a complete combination of figurines of war ceremonies, which is the reconstruction of the burial system under the background of the Jin Dynasty tombs. Is also a reflection of the re-establishment of the order of the Hu ethnic rulers under the national integration.