书法的运笔轨迹也就是心理运动的轨迹,在这个过程中,人的情绪、认知(性格)、精神通过抽象的线条符号得以充分展现,而书法的笔法就是这些个性化心理状态的运笔模式。历代书法家留下了不少关于心理与书法关系的论述,但大都是针对创作心态,而少许论及到具体心理因素的也只是简单描述。如陈绎曾《翰林要诀》所言:“喜怒哀乐,各有分 In this process, people’s emotions, cognition (personality) and spirit are fully demonstrated by the abstract line symbols. The calligraphy technique is the pattern of these individualized mental states. Many ancient calligraphers have left a lot of discussion on the relationship between psychology and calligraphy, but most of them are directed at the mentality of creation, and only a brief description of the specific psychological factors. As Chen Yi had ”Hanlin tips“ said: ”Emotion, have their own points