荀海的行书,典雅端庄,透着一股清气。很显然,他把目光瞄准了初唐的行书书风,这其中可见他对于欧阳询的行书取法很深。欧阳询的行书用笔婉约,发力方式简捷,颇类似晋人笔意,这就是其优势。从后往前取法,我以为这才是上溯之法。比如,苏东坟由杨凝式上溯魏晋,王觉斯由米芾上溯魏晋,这都是前人的高明之处和成功办法。令人流行从《书谱》上溯二王也是一法。那么,荀海能够从初唐的欧阳询行书上溯魏晋的筒约笔法和格调,我以为这就是其高明之处,甚至,这条路几乎没有人这么走过。学某家往往圉于某家而泥古不化,而学某家仅仅是作为上攀的一条途径,则显现出了高明。 Xun Hai’s book, elegant and dignified, reveals a Qing Qi. Obviously, he set his sights on the style of writing in the early Tang Dynasty, which showed that he had a deep understanding of the writings of Ouyang. Ouyang inquiry line with pen graceful, hair force way is simple, quite similar to Jin gesture, this is its advantage. From the back to take the law, I think this is the law of tracing back. For example, the Soviet Union and Eastern Burmese cemetery by condensate dating Wei Jin, Wang Jue Si by Michelle trace the Wei and Jin, which are the clever and predecessors of the successful approach. It is also a popular method to trace the two kings from the Book of Records. Well, Xunhai can trace the brushwork and style of the Wei and Jin Dynasties from the Ouyang Quotations of the early Tang Dynasty. I think this is the place where it is clever. Even this road is hardly followed by anyone. Learning to learn from one family often goes unpunished, and learning a family is just one of the ways to ascend, showing a cleverness.