千姿百态的魔鬼,各种各样的酷刑,杂沓的怪物,在那色泽饱和的世界里,吉罗姆·博斯赫更像一个善与美的裁定者,他在表现或谴责这个充满罪恶的世界,在这个世界里,人们的生活十分艰难。博斯赫是一位狂热而纯真的基督徒,人们从他作品所表现的丑恶中看到了一种判断行为的准则。传统肖像画的障碍之一:对符号的辨认,破译寓意画,探究谚语或《圣经》式的隐喻,在博斯赫的作品中随处可见,这使他很快变为一位类似摩尼教的说教者。而在他用作品来说教的过程中,他似乎并不在乎绘画形式如何,而只关心他的信仰。 Ghosts in different poses and with different attitudes, all kinds of torture and miscellaneous monsters are more like a good and beautiful ruling in the luscious world. He is expressing or condemning this sinful world, In this world, people’s lives are very difficult. Bosch, a fanatical and pure Christian, saw a guide to judging behavior from the ugly manifestations of his work. One of the hurdles of traditional portraits: the identification of symbols, the deciphering of moral paintings, the exploration of proverbs or the biblical metaphor that is widely seen in Bosch’s writings quickly turned him into a Manichaean-like Preacher. In his use of works to teach, he does not seem to care how the form of painting, but only his faith.