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海登·怀特的故事情节化解释模式是在弗莱故事原型理论、克罗齐表现主义美学与尼采审美思想影响下提出的。海登·怀特的四种故事情节化解释模式分别突出了喜剧妥协论、悲剧的“融合”趋势、浪漫剧的“救赎”主题和讽刺剧的“反救赎”主题,阐释了历史文本中的快乐体验、忧郁体验、悲壮体验和挫败体验。他将这一理论用于研究十九世纪欧洲经典史学著作,是对经典历史文本的审美阐释、对历史“瞬间美”的挖掘和对改造历史的审美尝试,彰显了现代审美意识,具有不可忽视的审美价值。
Hayden White’s episodic episodic interpretation model was proposed under the influence of Fletcher’s prototype theory, Croce expressionist aesthetics and Nietzsche’s aesthetic thought. Haydon Wright’s four episodic episodematic interpretations highlight the themes of comic contention, the tragedy’s “convergence”, the theme of “salvation” and the “anti redemption” of satirical drama, respectively Happy experience, melancholy experience, tragic experience and defeat experience in historical texts. He applied this theory to the study of nineteenth-century European classical history books, which is an aesthetic interpretation of the classic historical texts, an excavation of the historical “instant beauty” and an aesthetic attempt to transform history, highlighting the modern aesthetic awareness and having Can not be ignored aesthetic value.