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日本戏曲家森槐南所作《补春天》、《深草秋》传奇,反映了作者青年时期戏曲创作的题材特点和风格特色,成为其文学创作中一个具有显著特色的组成部分。这种创作现象既表现了森槐南出色的文学才华和对中国戏曲的热爱之情,又反映了其青年时期模仿中国戏曲并尝试进行创作的突出特征和基本水平。森槐南的戏曲创作不仅反映了中国戏曲对于日本戏剧与文学的影响,而且是近代中日戏剧与文学交流的一个例证,具有重要的戏剧、文学与文化交流史价值。
Japanese drama composer Senhuai Nan made the legends of “spring up” and “deep grass autumn”, which reflected the theme features and style features of the author’s drama creation in the youth. It has become a distinctive part of his literary creation. This kind of creation not only shows the outstanding literary talent of Senhuai South and its love of Chinese opera, but also reflects the salient characteristics and basic level of imitating Chinese opera in his youth and attempting to create. The drama creation of Senhuai South reflects not only the influence of Chinese opera on Japanese drama and literature, but also an example of the exchange of drama and literature in modern China and Japan. It plays an important historical role in the exchange of drama, literature and culture.