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在这个盛夏里听一个怨妇漫漫冬夜里的唠叨,这样的唠叨却又以小说的形式出现,一本在情节上没有递进关系,即米尔斯基所说的“对叙述结构和可读性某种程度的忽略”的俄国小说,我不得不佩服这位柳德米拉·彼得鲁舍夫斯卡娅,俄罗斯最负盛名的当代女作家,用一本小的长篇《夜深时分》(沈念驹译,浙江文艺出版社2013年版),恶意颠覆俄罗斯伟大的小说圣殿,在理想的大厦坍塌之后,给我们展示了浑身狗血与一地鸡毛。柳德米拉·彼得鲁舍夫斯卡娅出生于一九三八年,小说的背
In this midsummer to listen to a long complacent nagging winter night, such nagging but in the form of novels, a no progressive relationship in the plot, that Millsky said “on the narrative structure and Readability some degree of neglect, ”I have to admire the Lyudmila Petrluschevskaya, Russia’s most famous contemporary woman writer, with a little long“ night Deep Divide ”(translated by Shen Naiju, Zhejiang Literature and Art Publishing House 2013), maliciously subverting Russia’s great temple of novels, showing us the whole body of blood and feathers after the ideal building collapsed. Lyudmila Petrushevskaya was born in 1938, the novel’s back