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毛泽东的许多诗词是在反复修改中诞生的 ,其中《采桑子·重阳》是将词的上、下片进行了调整 ,起到了托物言志 ,深化主题 ,开拓视野的作用 ;《水调歌头·游泳》从标题到标点的位置、字词改动了三处 ,或起到统摄全篇 ,集中主题 ,或起到语气贯通 ,对仗工整、和谐音律 ,表达更精确的作用 ;《卜算子·咏梅》主要是在字、词方面有四处修改 ,其效果是主题思想 ,语气语义 ,词的立意与前面形成鲜明的对比 ,有画龙点睛 ,锦上添花之妙 ;《满江红·和郭沫若同志》从词句到字词改动了三处 ,改动幅度较大 ,改动后更切合词牌韵律 ,使其对仗工整、严谨 ,同时又启迪了人的思想 ,给人以言有尽意无穷的美好感觉。
Many of Mao Zedong’s poems were born during repeated changes. Among them, “Cangsan · Chongyang” adjusts the upper and lower pieces of the lyrics, playing the role of providing material objects, deepening the themes and broadening their horizons. Head swim “from the title to the punctuation position, the word changed three, or play the whole article, focus on topics, or play the tone through, on the rehearsal of integrity, harmonious temperament, to express more precise role; Mei ”is mainly in the word, the word has four changes, the effect is the theme of thought, tone semantics, the meaning of the word in sharp contrast with the front, finishing touch, icing on the cake of the wonderful;“ Comrade Jiang and Guo ”from the words to the word The word changes three, a larger change, more in line with the rhythm of the rhyme after the change, making it a relentless battle neat, rigorous, but also inspired the people’s thoughts, giving people a perfect feeling with infinite meaning.