黄梅戏在新中国成立前是主要流行于乡野的小剧种。新中国成立后,黄梅戏从籍籍无名一跃为全国知名,其间固然有时代语境、政府力量、影视传媒等诸多因素的共同作用,但当时并非只有黄梅戏拥有这些条件。所以,今天以历史眼光反观新中国成立前黄梅戏小戏、本戏以及20世纪50年代文人改编戏的特点,探究文人改编戏与传统黄梅戏的传承关系,有助于我们把握“梅开一度”的深层原因。 Before the founding of New China, Huangmei Opera was a small drama popular mainly in the countryside. After the founding of new China, Huangmei opera jumped from a nameless ancestral to a well-known nation. Although there were times such as the context of times, government forces, film and television media and many other factors, it was not the only case that Huangmei Opera had these conditions. Therefore, today we look back at the characteristics of the former Huangmei opera, the play, and the adaptation of the play of the scholar in the 1950s before the founding of New China, and explore the inheritance relationship between the literati’s adaptation of the play and the traditional Huangmei opera. This helps us grasp the " Deep reason.