现代西方美学有个贬低作者的一致趋势,从艺术本体论、作者、作品、读者及社会历史等五个角度宣告了“作者之死”。这是时代使然,也符合文学艺术和作者逐渐走向大众化的现实,有利于促进文学艺术的繁荣。但在这个人人可为作者的网络时代,无疑也会使真正有价值的文学作品淹没并死于大量的网络文学垃圾之中。 Modern western aesthetics has a consistent tendency to demean the author, declaring “the death of the author ” from the five angles of art ontology, author, work, reader and social history. This is the result of the times, but also in line with the literary arts and the author gradually toward the reality of popularization, is conducive to promoting the prosperity of literature and art. However, in a network age where everyone can be an author, undoubtedly, genuinely valuable literary works will also be flooded and dumped in a large amount of Internet literary junk.