一、艺术学的协调说文本中各种因素互相协调,一直被认为是艺术的真谛,艺术学者也把艺术文本各元素的协调性,看作艺术理论中永恒的原则。三千年前毕达哥拉斯学派提出“杂多统一”之说;《左传》中也有“和如羹焉……一气、二体、三类、四物、五声、六律、七音、八风、九歌,以想成也……若琴瑟之专一,谁能听之?”从毕达哥拉斯起,欧洲学者也一直尊奉和谐美学原则,直到当代美学家莱顿依然认为:“文化理论的一个内在尺度,是看其世界观的内在 First, the coordination of the arts that the various elements of the text in harmony with each other, has always been considered the essence of art, art scholars also the harmony of the various elements of the text of the art, as the theory of art in the eternal principle. Three thousand years ago the Pythagorean school put forward the theory of ”unification of heterodoxy“; ”Zuo Zhuan“ also has ” Seven tones, eight winds, nine songs, in order to become also ... ... If the singer’s special, who can listen? “” From Pythagoras, European scholars have always respected the principle of harmonious aesthetics, until the contemporary esthetician Leiden still thinks: "An internal measure of the theory of culture is to see its inner world view