文学写作需要不断地寻求它在特定的文化情境下的限制和变化,包括其内涵的延展和差异。文学作为一种文化经验,它既应该持守自身审美的本质和价值,把它视为一种有弹性的空间与具有再生活力的范畴,并且超越其自身的传统规约,强化它对现实的介入性,对生活的呈现力和叙事性。另外,我们不能只看重诗歌本身,更应该关注诗歌的创造者,即诗人本身。没有诗人高蹈蹁跹的城市与乡村,是令人寂寞的,更会让人们的情感变得荒芜,心灵变得干涸。 Literary writing needs to continually seek its limitations and changes in a given cultural context, including its implications and differences. As a kind of cultural experience, literature should not only hold its essence and value of aesthetic appreciation, regard it as a kind of elastic space and a category of regenerative vitality, but also transcend its own traditional statute and strengthen its intervention in reality Sexuality, the presentation of life and narrative. In addition, we can not only value the poetry itself, but also focus on the creator of the poem, the poet itself. Without the poet’s daunting city and country, it is lonely, leaving people’s emotions to become barren and their souls to dry up.