近年来,中国画坛的空气十分活跃,这主要表现在两个方面:一个是各种思潮理念的空前活跃,一个是对于各种技法与材料的尝试运用以及绘画题材的多样,可以说,这是中国画史上的战国时代,也可以说这是一个英雄有用武之地的时代,客观地看,随着科技的快速发展,各种传播媒介的广泛运用,许多原来是个别地区所独有的绘画资源已成为大家的共享资源,这种绘画资源占有的淡化使得原来具有优势的地区已无优势可言,换言之,各地区间的差异已不是高低的差异或者说是主流和支流的差异,更多的时候是各地区绘画理念上的差异,许多原来相对闭塞落后的 In recent years, the atmosphere of the Chinese painting society has been very active. This is mainly manifested in two aspects: one is the unprecedented vigorousness of various ideas of thought and the other is the attempt to use various techniques and materials and the variety of painting subjects. It can be said that this is In the history of the Warring States period in the history of Chinese painting, it can be said that this is an era in which a hero has some useless points. Objectively speaking, with the rapid development of science and technology and the extensive application of various media, many of the unique painting resources originally used in some regions Become a shared resource for everyone, the desalination of the possession of this painting makes the original advantages have no advantage at all, in other words, the differences between regions is not the level of difference or difference between the mainstream and tributaries, more often Differences in the concept of painting in various regions, many of the original relatively closed obsolete