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电影批评的独特性是文字对影像诗意的阐释,内在矛盾在于“词语”与“影像”的转换。显然,无论是从批评语境,还是批评本体反思电影批评,都有一个无法回避的矛盾体——语义学。因而,从语义学的向度重建电影批评就显得尤为重要。语义学对电影批评的支持在于意义与表义体的结合,体现为语义学文体的构形、词语与影像的融通、诗性意义的阐释等几个方面。
The uniqueness of film criticism is the textual interpretation of the poetic imagery. The inherent contradiction lies in the transformation of “words ” and “image ”. Obviously, there is an unavoidable paradox - semantics, both in terms of criticizing the context and in criticizing the ontological reflection of film criticism. Therefore, it is very important to reconstruct the film criticism from the semantic orientation. Semantic support for cinematic criticism lies in the combination of meaning with the body of representations, which is embodied in the following aspects: the formation of semantics, the blending of words and images, and the interpretation of poetic meaning.