与国际舞台相伴的就是身份冲突日益浮出水面:一方面,处于非中心区域的人,往往在被动地经受外来刺激后作出反应,这种反应更多地并不是以批判式的自我理解为基础,而是从功利主义出发依靠在已有的国际舞台之上获得成功或者拥有特权的幻觉来实现自我激励:另一方面,多元文化主义以避免冲突、避免批判为目的、以这种美其名日“求同存异”的包容,实则异常冷漠的态度,来回应自非中心区域的尴尬、不满和委屈。水墨,这一背负着历史负担并被赋予了太多民族情怀的媒介,正处于两方矛盾的夹缝之中。无论是对于身处中心或是非中心区域的人而言,面对来自外部的影响,都需要审视自身过去的种种经验,也需要面 Accompanying with the international stage is the growing emergence of identity conflicts: on the one hand, people in non-core areas tend to respond after they are passively subjected to external stimuli, which are not based more on critical self-understanding But instead embarks on a self-motivated reliance on utilitarianism based on the illusion of success or privilege on the existing international scene: on the other hand, multiculturalism uses this name in the name of avoiding conflicts and avoiding criticism Japan “seeking common ground while reserving ” inclusive, but in fact very indifferent attitude, in response to embarrassment, dissatisfaction and grievances from the non-central area. Ink and wash, a medium bearing the burden of history and being given too much national sentiment, is in the midst of a contradiction between the two parties. In the face of external influences, people in central or non-central areas need to examine their past experiences as well as their needs