自从有记忆以来,我们所能听到的红色歌曲如《北京的金山上》和看到的红色经典电视剧如《小兵张嘎》,都给我们留下一种很刻板的印象,那些英雄人物形象无限高大伟岸、正直无私,似乎永远让人觉得他们是充满热情和希望。然而,就是在这种两极对立革命斗争这种宏大叙事当中,故事内容单薄僵硬,柔韧的空间不足,人物的性格的发展呆板,善恶截然分明。红色经典当中最让人深刻的是对于爱情的书写,它经常被宏大的革命叙事所遮蔽,从而进行变形或者简 The red songs we’ve heard since Beijing had been on the Jinshan of Beijing and the red classic TV shows such as The Little Soldier Zhang Ga have given us a very stereotypical impression of those images of heroes Tall and stalwart, unselfish, always seem to make people think they are full of passion and hope. However, it is in this grand narrative of bipolar opposition to revolutionary struggles that the contents of the story are thin and stiff, the lack of room for flexibility, the rigid development of the character’s personality, and the clear distinction between good and evil. The most impressive of the red classics is the writing of love, which is often overshadowed by grand revolutionary narratives that transform or simplify