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文人士大夫笔下的“墨戏”追求的是一种意料之外而又符合人们审美情趣的“意外之象”。但是在“墨戏”式的文人画或尚“意”的书风的视线里,“法”到底还重不重要?苏东坡在《与子由论书》中云:“苟能通其意,常谓不学可”。又讲“我书意造本无法,点画信手烦推求”。无疑是继承了中国传统哲学中的“得意忘形”的观点。庄子讲:“荃者所以在鱼,得鱼而忘荃;蹄者所以在兔,得兔而忘蹄;言者所以在意,得意而忘言。吾安得夫忘言之人而与之言哉!”这段话讲“言”
The literary doctor’s “ink opera” pursues an “unexpected phenomenon” which is beyond expectation and meets the aesthetic taste of people. However, in the sight of the book style of “ink opera” literary painting or Shang “meaning ”, does “law ”Gou can pass its meaning, often said not to learn “. Saying again, ”I can not create a book, drawing letters annoyingly asking.“ Undoubtedly inherit the view of ”happy“ in Chinese traditional philosophy. Chuang Tzu said: ”Tsuen who so fish, fish and forget Tsuen; hoof so rabbits, rabbits and forgotten hoof; the speaker so care, proud and forgotten words. Words zai! “Words in this ” words "