唐代趙州從諗禪師《十二時歌》頗有特色,歷來爲研究者們所注意,但其第一首中“漏逗”一詞的涵義總是無法落實。禪籍之中“漏逗”一詞用例較多,綜合這些用例來看,“漏逗”具有衰敗、破敗、窘迫、狼狽的意思。趙州的《十二時歌》是我們目前看到的“漏逗”的最早出處。事實上,“愁見起來還漏逗”不僅是“雞鳴丑”這一首的主題句,還是整個趙州《十二時歌》的主旋律。 In the Tang Dynasty, Zhaozhou was quite distinctive from the Zen master’s twelfth hour song, which has always been paid attention to by researchers. However, its meaning in the first song “omission” is always impracticable. Among the Zen dynasties, there are more use cases for the term “slippery tease”, which, combined with these use cases, has the meaning of decaying, dilapidated, embarrassed, embarrassed. Zhaozhou’s “Twelve Ones” is the earliest source we have seen so far. In fact, “Melancholy see also missed ” is not only “cock flicker ” the theme of the first sentence, or the whole of Zhaozhou “Twelve Times Song” theme.