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泉州传统傀儡戏是一种历史悠久的民间戏剧样式。在它漫长的演剧史上,形成了42部“落笼簿”——也即它传统的“场上”演本。 古代民间戏剧活动所出现的一些共同现象,颇为耐人寻味。例如,我省几个古老剧种,几乎都有抄“簿”制例。除傀儡戏外,旧时莆仙戏也有名为“搬簿人”的专用称谓,可见古莆仙戏的演剧活动,大抵都是有“簿”可循的。再说梨园戏,既有清代同治年间《朱文》手抄残本,又有一些“生首簿”、“旦簿”等旧写本。这些例证说明,古代民间戏剧的传演不辍,古老艺术传统的连绵延续,无不与“簿”的世代传承息息相关。 自古以来,“簿”都一直是维系剧种艺术生命和表演特点不可或缺的宝
Quanzhou traditional puppet theater is a long history of folk drama style. In its long history of drama, it has formed 42 “lost books” - that is, its traditional “on-court” performance. Some common phenomena that appeared in the ancient folk theater activities are rather intriguing. For example, a few ancient operas in our province almost all copy “books”. In addition to the puppet theater, the old Puxian Opera also has a special title called “move bookman”. It can be seen that the ancient Puxian opera’s acting activities are mostly based on “books”. Besides Liyuan Opera, both in the Qing Dynasty Tongzhi years “Zhu Wen” handwritten copies, there are some “raw book”, “Dan book” and other old books. These illustrations show that the performance of ancient folk plays has ceased to exist, and the continuation of ancient art traditions is closely linked to the generational inheritance of the Book. Since ancient times, “book” has always been an indispensable treasure to maintain the artistic life and performance characteristics