喻红最近展出了她金色背景的天顶画,长期关注喻红创作轨迹的皮力撰文细述世代、理想和风格。“一个已经有建树的艺术家,在中年应该做什么样的展览和作品?”这或许是我们很多人在今天面临的问题。无论我们是否愿意承认,在生产与消费,创作与批评中,艺术已经成为了一场不断追求更新和更年轻的游戏。而在中国,当代艺术仿佛处于这样一种怪圈:它一生下来就老了,可是到死了还没有长大。艺术生产和消费频率的加快并不能消除艺术家内心的 Yu Hong recently exhibited her zodiac picture of the golden background. She has long been concerned about the trajectory of Yu Hong’s creation, which elaborates on generations, ideals and styles. “What kind of exhibitions and works should an established artist have in the middle age?” This is perhaps the problem many of us face today. Whatever we are willing to admit, art has become a constant quest for newer and younger games in production and consumption, creation and criticism. In China, contemporary art seems to be in such a vicious circle that it is a lifetime old but has not yet grown up by the time it dies. The acceleration of the production and consumption of art does not eliminate the heart of the artist