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草书辛弃疾《青玉案·元夕》条幅张连生(山西):整幅作品扬扬洒洒,气韵横生,用笔正侧相间,方圆互生,枯涩有度,率真中不失法度,可见作者在草书的训练和创作上,已有较高的基本功和理念,在书法内容选择上,也精心考量,相得益彰,此幅作品,落款略显异样,胆怯了点,如能大气稳健点,此幅作品真可谓一幅草书佳作。草书《临池杂记》中堂王高升(北京):此幅作品作者精心准备,创作态度严谨认真,装帧讲究,优美
Cursive Xin Qiji “Sapphire case Yuan-xi” banner Zhang Liansheng (Shanxi): The whole work swaying, full of vigor and vitality, with positive and negative side by side, the radius of each other, withered degree, without loss of justice in real, we can see the author in cursive training and Creation, has a higher basic skills and ideas in the selection of calligraphic content, but also careful consideration, complement each other, this piece of work, the inscription a little strange, timid, if the atmosphere is steady point, this piece is indeed a Cursive masterpiece. Cursive “Pro Pool” Zhongtang Wang Gaosheng (Beijing): The author of this work carefully prepared, writing rigorous and rigorous attitude, binding stress, beautiful