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《吕氏春秋·音律篇》中记载有十二律相生的次序和方法，但对生律的次序问题，今人却有着不同的理解和释义，如杨荫浏先生认为是由黄钟先往上生林钟，而陈应时先生却正好相反，认为黄钟往下生林钟。事实上，陈应时先生的理解比较合乎《吕氏春秋》的原貌，不足之处是解释的角度存在着明显失误，而杨荫浏先生的理解尽管可以自圆其说，但得出的结论却不合乎《吕氏春秋》的本意，再现的是汉代以来的十二律。
“Lu’s Spring and Autumn Music Law” recorded in the sequence and method of twelfth birth, but the order of the law of life, but today people have different understanding and interpretation, such as Mr. Yang Yanshan think that by Huang Zhongshang to the students Lin Zhong, while Chen Yingshi is exactly the opposite, that yellow clock down forest bell. In fact, Mr CHAN’s understanding is more in line with the original appearance of “Lu’s Spring and Autumn Annals”. The inadequacy is that there are obvious mistakes in the explanation. However, although Mr. Yang Yin-bao’s understanding can be justified, his conclusion is not in line with “ ’S Spring and Autumn Period, ”the intention is to reproduce the twelve laws since the Han Dynasty.