在书法创作过程中,创作主体一直处于感性意识与理性思维的双重支配之下。理性思维主导创作所遵循的某种规律或模式,如某种笔法特点、结字规则、分行布白等。是注重于形质的表现和把控。而感性意识则决定作品的精神内涵,如格调、气息、意韵、情趣等,是神采的表现和观照。感性是与生俱来的,当客观物象进人人的大脑时,就会产生一种印象或称记忆,这种印象唤起主体对客观物象的感性意识。这是客观物象在主观世界中反映 In the process of calligraphy creation, the subject of creation has always been under the dual control of sensual awareness and rational thinking. Rational thinking dominated the creation of a certain rules or patterns followed, such as a stroke features, knot rules, branch cloth white and so on. Is focused on the performance of the form and control. The perceptual awareness determines the spiritual connotation of works, such as style, breath, meaning rhyme, taste, etc., is the expression of performance and contemplation. Sensibility is innate. When an objective object enters the human brain, it produces an impression or memory. This impression arouses the subject’s perceptual awareness of the objective object. This is the objective image reflected in the subjective world