现在一般的大专艺术院校,在绘画色彩教学的相当范围内,还继续着师傅带徒弟的作风.这有好的一面,那就是先生的风范及对艺术探索之精神,会在无形中传给学生.也有不好的一面,就是由于先生的知识量及艺术趣味的限度,容易使学生思路狭隘,不利于青年艺术家的正常发展.常此以往,必然有碍于祖国艺术事业的兴旺发达,更谈不上跻身世界画坛.所以,我们的色彩教学应该怎样搞才能更有利于教学与科研,怎样搞才能更好地引导学生,为他们走向独立的艺术道路打下坚实的基础,的确是我们应该认真思考的、刻不容缓的大问题.大学毕业几年来,特别是自己也走上教育工作岗位后,时常反思以往的学习,并考察当今色彩教 Nowadays, in general, art colleges and universities continue their master-apprentice style within a considerable scope of the teaching of color painting, and this is a good example of the gentleman’s demeanor and the spirit of artistic exploration that will be passed on virtually Students also have a bad side, that is, due to the limits of his knowledge and artistic taste, students tend to be mentally narrow and unfavorable to the normal development of young artists, which in the past have inevitably hindered the flourishing development of the art career in the motherland Not to mention among the world of painting .So, our color teaching should be how to be more conducive to teaching and research, how to guide students in a better way, for them to lay a solid foundation for independent art, it is indeed we should be serious Thinking, urgent big problem.Colleges graduated in recent years, especially themselves also embarked on education jobs, often reflect on previous learning, and examine the current color teach