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本期“争鸣”栏目刊出的宋维才的稿件,不同于大多数曾经为热播的电视剧《老娘泪》叫好的评论文章,而是有理有据地指出了他认为该电视剧存在的严重缺陷——在反腐已经成为中国社会一个严峻问题的时候,用伦理情感取代法律正义的处理方式,来演绎一个颇有虚幻味道的包含重大社会主题的故事,其生活真实与艺术真实都是值得商榷的。有感于文章作者洞察问题的敏锐性和认真的批评态度,我们认为,对电视剧《老娘泪》的创作得失进行再度的探讨,开展争鸣,会有利于电视剧创作的进步与繁荣。
In this issue of “Contending,” Song’s version of Manuscripts is different from most of the commentary articles that were once applauded by the popular drama “Lao Niang Te Shu.” Instead, he pointedly and rationally pointed out the serious flaw that he believes exists in the drama - When anti-corruption has become a serious problem in Chinese society, the substitution of ethical sentiments for the handling of legal justice to interpret a rather unrealistic story of a major social theme is questionable both in the real life and in the true art. Feeling the acumen and conscientious criticism of the author’s insight, we think it would be beneficial to the progress and prosperity of the drama when we discuss the pros and cons of the drama “Lao Niang Te” again.