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作为新的构建主体,近二十年来的中国当代摄影实践是如何利用国人丰富的集体记忆资源,如何重塑作为中国人的集体记忆的?本文以王庆松《老栗夜宴图》、刘铮《国人》等摄影实践为例,在对其进行深入分析和考察的基础上,总结了在摄影实践中体现出的中国人集体记忆的几个内容层面,并提出了“唤起-回应-重塑”这样一个普遍的作用模式,解答了摄影作为一种载体,一种媒介,在塑造中国人的集体记忆的过程中起到何种作用。
As a new main body of construction, how does the Chinese contemporary photography practice in the recent two decades take advantage of the rich collective memory resources of the people and how to reshape it as a collective memory of the Chinese? This paper takes Wang Qingsong’s “ Based on the analysis and investigation, this paper summarizes several aspects of the Chinese collective memory reflected in the practice of photography, and puts forward the ”evocation - response - remodeling" Such a universal mode of action answers the question of the role photography plays as a carrier and a medium in shaping the collective memory of the Chinese.