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音乐与戏剧文学是歌剧中具有决定意义的元素。音乐具有时间性、抒情性、表现性,而戏剧文学创作出戏剧所具有的空间性、造型性、再现性。音乐与戏剧文学同时进入歌剧这一综合体中,随之发生对比互渗的效应,从而造就了歌剧艺术空间性与时间性的统一、造型性与抒情性的统一、再现性与表象性的统一。本文将立足于古诺的歌剧《浮士德》这部作品,探寻歌剧脚本对同名诗剧的借鉴和歌剧脚本的艺术创新元素。
Music and dramatic literature are the decisive elements of opera. Music has time, lyricity and expressiveness, while dramatic literature creates the space, the modeling and the reproducibility of drama. At the same time, music and dramatic literature enter into the complex of opera, and then the effect of contrast and mutual infiltration occurs, thus creating the unification of the space and time of opera art, the unity of modeling and lyricity, the unity of reproduction and representation . This article will be based on Cournot’s opera “Faust” this piece, to explore the opera script for the same name drama and the opera scripted artistic innovation elements.