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写在前面:《画刊》对我们这一代人采说,是本特别有影响的杂志。30多年前,也就是我刚开始启蒙的时候,《江苏画刊》就给出了当时很难得的资料呈现和审美标准,精美得都有一些异样。记得当时我死盯着梅清、萧云从和王原祁的山水画,目光贪婪得都不愿意挪开。我至今仍保留着当年《江苏画刊》的创刊号和第2期。第一次啊,是第一次看到这么精美的印刷品。当时这些图像的惊艳程度,不是今天看惯了真假二玄、眼高于顶的美院学生可以体会的。风水轮流转,纸媒风光不再。我揣摩,靳卫红主编和她的团队,也经历了一些辛苦,才能够
Written in the front: The Pictorial is a particularly influential magazine for this generation of people. More than 30 years ago, that is, when I first started enlightenment, Jiangsu Pictorial gave a very rare standard for the presentation and aesthetic standards of the time. I remember when I stared Meiqing, Xiao Yun and Wang Yuan Qi’s landscape paintings, greedy are unwilling to move away. I still retain the first issue of “Jiangsu Pictorial” and the second issue of that year. For the first time, it was the first time I saw such a beautiful print. At that time, the stunning level of these images was not used to being true or false today. Students at Academy of Art higher than the top of the eyes could experience it. Feng Shui turns, paper media no longer scenery. I try to figure out, Jin Weihong editor and her team, also experienced some hard work before they can