“巧媳妇”(中国儿童剧院演出)一剧的舞台美术(张正宇设计),以它新颖的风格出现在我们面前。过去,上演这一类儿童剧目时,通常是以图案化或卡通式的夸张来处理舞台美术设计的。在“巧媳妇”中,却可以看到另一个原则,即运用民族绘画来处理布景风格。布景的表现既新颖而又使人感到亲切。这个设计所以成功,还不仅仅在于它运用了民族绘画技巧,重要的是它和戏剧内容和谐一致。 “Qiao Xiulai” (China Children’s Theater) a stage art (Zhang Zhengyu design), with its innovative style in front of us. In the past, this type of children’s play was often handled in a graphic or cartoons exaggeration to handle the stage art design. In “clever daughter-in-law”, but can see another principle, that is, the use of ethnic painting to deal with set style. The scenery is both novel and friendly. The success of this design, not only because it uses the national painting techniques, the important thing is that it is consistent with the theater content.