木心文学的光芒可能遮掩了木心绘画的成就,这是容易出现的情况。他的文学精彩缤纷,火树银花,他的山水画好像出自另一个人的手,呈现了不同的景观,冷寂下来,孤绝起来了。如果说木心的文学是有对象的,是与读者、朋友的对谈聊天,他的山水画便是无对象的,有种私人性,像他的独处,这种风貌其实三十多年前, The light of wooden heartwood may obscure the achievements of wooden heart painting, which is an easy situation. His literature colorful, fireworks, his landscape paintings seem to come from the hands of another person, showing a different landscape, cold silence down, isolated. If Mu Xin’s literature is object-oriented and it is to chat with readers and friends, his landscape painting is unobtrusive, kind of personal, like his solitude. In fact, this style was more than thirty years ago.