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近年来,看过几次小剧场中心舞台的演出,场地没有舞台,演员在三面或四面包围的观众中表演。这种演出形式可以使观众对演出增加亲近感。最近,中国儿童艺术剧院演出的《快乐的汉斯》也是采用这种演出形式。这出戏是日本著名儿童剧作家多田彻根据德国民间故事创作的,写的是少年流浪工匠汉斯,遇见贪婪、刻薄的财主夫妇欺压小仆人,便利用智慧巧妙地惩罚财主的故事。日本风之子儿童剧团从五十年代起曾三次演出,深受小观众的喜爱。中国儿艺这次组织了一支人数很少的演出组,带了简单的布景,深入到北京的小学、少年宫去演出。孩子们坐在自带的小板凳上,看近在咫尺的叔叔阿姨的精彩表演。看戏过程中,孩子们反应强烈,十分高兴,那种欢乐的气氛,实在令人感动。
In recent years, I have seen several performances of the stage at the center of a small theater. There are no stages on the venue. The performers perform in an audience surrounded by three or four sides. This form of performance can make the audience feel more close to the show. Recently, “Happy Hans” performed by China Children’s Art Theater also adopted this form of performance. This play is a famous Japanese children’s playwright Tadashi Toru based on German folk story, is written by the young tramp artiste Hans, meets the greedy, meandering husband and wife oppress servant, they use wisdom to skillfully punish the story of the rich. Japanese children’s troupe Children’s Theater has performed three times since the fifties, by the small audience favorite. China Art Arts organized a small number of performance groups this time with a simple set of scenery, went deep into primary schools and youth houses in Beijing to perform. Children sit on their own small stool to see the wonderful performance of aunt and uncle at close range. In the process of watching a movie, the children reacted strongly and were very happy. The kind of happy atmosphere was very touching.