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近日,于书店购得赵喇嘛京胡曲谱一册,审视之,乃1958年原书再版,睹物思人,不禁忆起这位京剧界的杰出琴师。赵先生名济羹,别号喇嘛,北京人,生于1899年12月,十六岁拜弦子名手程祥林学艺,嗣后改拉胡琴,二十岁舌即崭露头角,曾先后为徐碧云、王又宸、言菊朋、朱琴心操琴,后又与谭富英、金少山、谭小培、裘盛戎、李宗义、张文娟、纪玉良等名演员协作。解放后加入上海京剧院,直至1965年退休。1976年殁于北京。与众不同的是,赵先生左手拉琴,胡琴结构与普通琴并无殊异,只是拉起来外弦在里,里弦在外,
Recently, at the bookstore bought a book on the Beijing-Lutheran mandarin, review, is the original 1958 reprints, see things think people, can not help but recall the outstanding playwright Beijing Opera. Zhao Mingjiangeng, alias Lama, Beijingers, was born in December 1899. At the age of 16, she became the son of Cheng Xianglin and later rebuffed her violin. At the age of twenty, her words came to prominence. She successively worked for Xu Biyun, Wang Youchen, Ju Peng, Zhu Qin heart Qinqin, and later Tan Fanying, Jinshaoshan, Tan Xiaopei, Qiu Shengrong, Li Zongyi, Zhang Wenjuan, Ji Yuliang and other famous actors collaboration. After liberation, he joined the Shanghai Peking Opera Theater until his retirement in 1965. 1976 in Beijing. The difference is that Mr. Zhao left piano, violin structure and ordinary piano no different, just pull up the outside in the string, the strings out,