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“中国袄教画像石在艺术史上的意义” 姜伯勤在《中国袄教画像石在艺术史上的意义》一文中讨论了十六国至隋朝时期山西、河南、陕西等地的六组祆教画像石:即北齐安阳画像石、北齐青州傅家画像石、日本MOHO博物馆藏北周(旧说北齐)画像石、北周至隋萨宝虞弘画像石、北周萨宝安伽画像石、北朝系隋代天水画像石,初步考察了他们各自整体的主题,并根据六组祆教画像石在神话原典和图画术语的类型学分析,将其大致分为祭祀类和盟会类两种类型。从艺术风格上看,中国发现祆教图像对认识萨珊波斯及粟特艺术具有重要意义。根据对《历代名画记》和《图画见闻志》中有关记载的
“The Significance of Chinese Teaching Figure Stone in the History of Art” In his article “The Significance of Chinese Teaching Art Stone in the History of Art,” Jiang Boqin discussed six groups of religious figures in Shanxi, Henan and Shaanxi provinces from the 16 countries to the Sui Dynasty Stone: Northern Qi Anyang stone, Fuzhou, North Qi Fuzhou stone statue, Japan MOHO Museum collection of the Northern Zhou Dynasty (the old said the North Qi) stone, Northern Zhou Dynasty to Sui Sa Bao Yu Hong stone, the Northern Zhou Sa Bao Anga portrait stone, Northern Dynasties Sui Tianshui The portrait stone, the preliminary study of their respective overall theme, and according to the six groups of 祆 teaching stone in the myths of the original canon and the terminology of the typological analysis, it is divided into two types of sacrificial and League categories. From an artistic point of view, it is of great significance for China to find out the images of Zoroastrianism for understanding the art of Sasan Persia and Sogdian. According to “records of famous paintings in history” and “pictures” in the records