若提起京剧唱功技巧,往往指方法而言,如声、字、腔、气及它们的互相关系等等。其实在“唱功”中的“技巧”是离不得“章法”的。记得有一次和裘盛戎先生谈到板式名称时,他说:“那个时候(指旧社会)印唱本,把[导板]写成[倒板],我问过一位老先生,他说错了,应该是‘导’。我一琢磨人家说得对,成段唱之前的先导嘛。”后来在一九五五年冬,我在北京饭店观摩裘盛戎演出《探阴山》,那天他嗓子很不好,包公 If you mention the opera singing skill, often refers to the method, such as sound, word, cavity, gas and their mutual relations and so on. In fact, “singing skills” in the “skills” can not be separated from the “Constitution”. I remember once talking to the board name of Mr. Qiu Shengrong, he said: “At that time (referring to the old society) printed the book, the [board] written [inverted board], I asked an old gentleman, he was wrong, I was pondering the people right, into a song before the prelude to sing thing. ”Later in the winter of 1955, I watched in the Beijing Hotel Qiu Shengrong show“ explore the mountain, ”that day his throat is not good , Bao Gong